In selecting colours, I had great help from the advice by Bruce McEvoy on the Handprint site in selecting which colours to get. I used the ‘artist’s colour wheel’ to make sure that i have most of the spectrum covered in terms of hues and chroma. My selection is mostly
- single pigment paints,
- of the list of ‘top 40’ pigments, and
- of price group one.
The exceptions to the single-pigment is one blend, Payne’s Grey. I like to use for making dark red-violet clouds by blending it with alizarin crimson or verizon violet (Quinacridone PR122) or mix with earth yellows to make muted dark greens for pines and such.
For brand I chose MaimeriBlu, as they are carried by the artist store in my block on Malta in Sliema, and as they are recommended by Handprint. They come in 15 ml tubes, and are, at least in my local shop, less pricey than Schmincke, which is the other brand they carry. The exception for the more pricey pigments are cerulean (PB36) which I got myself, and then my aunt bought me the cadmium reds (PR108), and my friend Lena gifted me the Viridian (PG18) and the Tizian Red (PR209).
I made a color chart with notations of components, lightfastness, opacity/transparency, and granularity. The granularity was not noted on the packaging, so again, I had help from information about granulating pigments at Handprint (links below).